Agatha Christie holds special personal memories for me because my mum, a television producer called Pat Sandys, had been the first person to persaude the Agatha Christie estate to put one of her stories on T.V.
I think one of the most important things I can give my children is the right to be themselves.
I'm an appalling flyer. I get very tense, although I no longer weep uncontrollably for no reason - I just sob if there's turbulence.
I'm very shocked when I look at television and I see such an aggressive youth and image obsession in the representation of women on our screens.
Something like 'Sex And The City' was insulting - women all clawing on to their youth when there's such ripe territory in honestly exploring women's lives as they get older.
If I pop off and do something drastic, everyone's going to realise because they know I'm 50. Anyway, middle-aged women are sensational.
I lost a girlfriend when I was in my 30s. She was 46. It all sounds so trite, but I put a Post-it on my dressing-room wall. It said, 'The past is history. The future is a mystery. This moment is a gift, which is why it's called the present.'
It's always been a dream of mine to be Ginger Rogers or Cyd Charisse, and here I am performing alongside Robert Lindsay and being directed by a major Broadway producer. Who said dreams don't come true?
I grew up without the rose-tinted look at the profession many of my friends had, but I've been very lucky playing major roles in 'An Ideal Husband', 'Arcadia' and 'The Memory of Water'.
Filming is quite exciting because every day is different, but it can involve long hours standing around in chilly locations. Theatre is a very different challenge because every night you're striving to keep it fresh, even though you might have been performing the same play for months.