As women, we have super powers. We are sisters. We are healers. We are mothers. We are goddess warriors.
Authenticity, living your truth, kindness - these are necessary virtues.
I have a Manhattan club chair in dark espresso leather that I always read in. It's a place where I can contemplate other people's thoughts and stir my imagination.
I like to stretch myself and push the envelope, so anything that's new or different or not of my daily routine, I am so for.
'Greenleaf' never mocks religion. It reminds us that people in churches are human, and no one is perfect.
I think my family sees me playing a pastor on TV and thinks that's a way of saying I have the calling, too.
I worked really hard in college, and I came out a completely different person and performer than when I went in. I did the work, and I found a craft.
Chicago actors and Chicago theater is some of the most authentic stuff that you will ever encounter, and I'm so proud to have come up from that. It's where I cut my teeth and where I found my passion for this work.
Feng shui is really important to me.
I enjoy hearing from different people who have turned their personal struggles into something that can inspire others and encourage people to push past hard times.
If I've learned one thing from my mother, my teachers, my greatest female inspirations, it's that Boundaries Are Optional.
God has placed within each of us an immeasurable, unique gift. It is our duty to live that out to the full and to encourage one another with gusto.
I was in the ministry for some time. All my family is immersed in a black church in Memphis.
In the theater, you have to speak so people in the last row of the peanut gallery can hear you. With television, the camera does that work for you.
'Greenleaf' has such great affection for the church.
I call my culture 'kimchi and collards.'
By always looking out and always moving myself forward and being disciplined and being open to new experiences, I think that's how I was able to diversify because if it felt right to me creatively, I went for it. It didn't matter if I knew how to do that, I just did it because my creative heart felt pulled to it. That seems to have worked out.
I've been in leadership roles on Broadway, and it's one thing to lead a Broadway company - you're with those people for a year straight, and you're doing that same show, eight shows a week. It's quite another when you carry on the story... You go beyond that, and you ride the wave of a character.
I was born in Japan, and then we went to Korea, and I was raised in Nebraska.
Monty Python has such a huge following... myself included.
