Part of being an artist is that you are always concerned you don't have what it takes. It... keeps us honest.
I have dabbled in martial arts all my life, since I was 7, maybe - tae kwon do, capoeira, Muay Thai. It's always been an interest because in martial arts there is a mind/body relationship.
I'm Mexican and Kenyan at the same time. I've seen the quarrels over my nationality, but I'm Kenyan and Mexican at the same time. So again, I am Mexican-Kenyan, and I am fascinated by carne asada tacos.
I was born in Mexico because my father was teaching at a school in Mexico City. I was born during the third year he was there. And when I was 16, I returned to Mexico to learn Spanish.
I don't need to be so full of myself that I feel I am without flaw. I can feel beautiful and imperfect at the same time. I have a healthy relationship with my aesthetic insecurities.
My immediate family was always very supportive. It was my own fear of the rest of the world not accepting me, the rest of our society not accepting my wish to be an actor.
Ralph Fiennes was a pivotal influence on me. He asked me, 'So what is it you want to do?' I very shyly, timidly admitted that I wanted to be an actor. He sighed, and he said, 'Lupita, only be an actor if you feel there is nothing else in the world you want to do - only do it if you feel you cannot live without acting.'
Being considered a fashion star is wonderful. It's definitely a bonus thing.
I love filmmaking, but I decided to go to drama school because I thought that when I'm 60 and looking back on my life, if acting hadn't been a part of it, I would hate myself.
I got teased and taunted about my night-shaded skin, and my one prayer to God, the miracle worker, was that I would wake up lighter-skinned. The morning would come, and I would be so excited about seeing my new skin that I would refuse to look down at myself until I was in front of a mirror because I wanted to see my fair face first.
I grew up watching foreign programs - American, English, Mexican, and very little Kenyan. 'The Color Purple' was the first time I saw people who looked like me.
One of the reasons why I went to the Yale School of Drama is because I felt that I was acting off of instinct, but sometimes that is not reliable. When you're not feeling it, what do you do? So, going to grad school was about getting the tools to just use my instrument to the best of my ability.
It's so funny, you go to acting school thinking you're going to learn how to be other people, but really it taught me how to be myself. Because it's in understanding yourself deeply that you can lend yourself to another person's circumstances and another person's experience.
Drama is my sweet spot, but the thing about being an actor is that you want to do a variety of things. I definitely love fantasy and would want to be in a fantasy project.
When I was younger, I was almost too afraid to admit that I wanted to be an actor. I didn't know any successful actors in Kenya, so I felt like I could get away with going to college to study film more easily than I could with saying, 'I want to be an actor.' That's what I did.