Music is art, art is life, and we are who we are, and all of these aforementioned women, unless they should choose not to, will be performing well into the next many decades because they are great artists.
There are no benefactors in Canada because there is no incentive.
Mostly this problem is contained in the fact that the US makes it so difficult for Canadians to get green cards (you heard it here), but if an American orchestra really wants a player, they have their ways.
Another thing: despite my youthful appearance, I am quite capable of making decisions.
Our dad was a great guy and we will never forget him.
I am very lucky and grateful to have this living link to a past era, the violin presumably having much more history to it than the later portion that I know.
For many years, the government of Canada has massively supported orchestras and the arts in general.
A good example of how it must have been is today's world of conducting, which is still utterly dominated by men, and the prejudice the few female conductors have to battle even today is astounding.
However, the thought hit me that this was a pretty pathetic way to kick the bucket - being accidentally poisoned during a photo shoot, of all things - and I started weeping at the idiocy of it all.
I thought that maybe it is not so much, as he seems to think, that the world loses interest in female performers after they hit a certain age, than the performers lose interest in the world.
Although I do not have a family, I have eyes, ears and imagination, and know, as most people know, that the importance of one's children is paramount.
Raising a small child as a woman while travelling 10 months out of the year would, I believe, be something I would not be able or even want to do, although with the amazing example of Leila, I am no longer so sure.
I had been playing since I was 2 years old, never remembering a life without music, always playing everything naturally and mostly by ear, and all the grownups wanted were more scales and drudgery out of me.