If people love you, if you're making money, if the performances you have are unlike anything anyone has ever seen, you get put in a position to be the man.
Fans, wrestlers, and even the general public have been conditioned to believe that there's an enormous skill gap between WWE and everyone else.
Pentagon not only has the untrainable 'It' factor but also the rare ability to adapt and succeed wherever he competes. He has a unique charisma about him that fans connect with, and regardless of where he competes or what style is prominent, he seamlessly blends in - yet stands apart from everyone else on the card.
I only ever get to work with Naito once a year. I'd love to wrestle him again. Yeah, he's good, for sure. The person I've never worked before in a New Japan ring - and I'd be happy to get the chance and show the difference of styles - is Zack Sabre, Jr., so that'd be another one. Yeah, he's one of my favorites.
There's a certain kind of wrestling fan that will only like a certain style. They think that's the right way, and that's okay, but I'm not trying to impress those people. Those people are already kind of set in their ways. I'm trying to open the world to a different style, what pro-wrestling has the potential to be.
It's funny: there's this idea where Kenny is only good because he can do what he wants, and he gets time. Well, everyone else through those doors had had time and opportunity. Why didn't they do anything special?
I actually work better within restrictions. When you leave everything wide open, things tend to get a little convoluted. So when you give me those restrictions and I start to use my brain creatively to work around those, that's when things get interesting.
There are times you break up with a loved one, a friend, or whatever. You feel alone. It's a very easy feeling to understand - the feeling of loss, heartache, and pain.
I don't like to risk - I'm actually not a tough guy at all, make no mistake about it, so I'm not going to do something that I'm scared of. So, if something looks dangerous, at the time I didn't think it was, because I'm the first person to cower away from a risk of injury if there seems to be one.
I always try to be safe; even when something looks dangerous, it actually isn't to me.
Before going to developmental, I had next to no fundamentals and that was sort of, doing cool chain wrestling and using a lot of holds and stuff.
I try to think of things in levels, pain levels and such, injury levels, like, 'How bad is this injury supposed to be? How much should I be selling?' And I think it also helps with the emotional attachment of fans when you're trying to tell a story as well.
For me personally, I think too much emphasis is put on, 'Okay, how cool are my moves?' and, 'How do I string them together?' 'How do I get this move in the match within this time limit?' and that's it.
I can comfortably say that I very much dislike a person like Jim Cornette, so the day that he disappears from this business permanently, I think, will be a happy day for professional wrestling.