Touring itself - and I was very young, and a lot of it I did by myself - it's lonely, but it does give you some kind of spine, I think. It does give you some kind of grit.
Almost every morning when I go to the studio to work, I discover a fresh rose in the bud vase on my dressing table... one living and vital thing in a dusty arena of powder and tissue and matches and greasepaint.
In my life, it would probably be giving birth to my daughter. That probably is the most, the thing that moved me the most, was the most memorable, the most wonderful, the most miraculous. I think a lot of women would probably feel that way, too.
I was raised never to carp about things and never to moan, because in vaudeville, which is my background, you just got on with it through all kinds of adversities.
If the director says you can do better, particularly in a love scene, then it is rather embarrassing.
I adored my birth father and constantly worried that I was being disloyal to him and his schoolteacher roots if I spent too much time performing and enjoying it.
I don't think I have the image that say, Judy Garland has, or Bette Davis.
I think that the best way to explain that is that my mother gave me all the color and character and flare and liveliness, and my father gave me all the sanity and nature and all the things that helped me be a more rounded human being.
I was named after my two grandmothers - Julia Elizabeth.
A lot of films seem to go to the lowest common denominator.