As a newcomer, you know, you don't come out the gate as a singer and try to compare with Judy Garland.
Every day, my mom and I would watch a different Judy Garland VHS. I love how she tells a story when she sings. It was just about her voice and the words she was singing - no strings attached or silly hair or costumes, just a woman singing her heart out. I feel like that doesn't happen that much anymore.
Well, I was obsessed with Judy Garland growing up. Like, obsessed.
I was very entertained by Betty Grable and Judy Garland.
When we went to Judy Davis and said, 'We want you to play Judy Garland in the mini-series 'Life With Judy Garland,' she was shocked, but we just had an instinct about her.
It's really a grand old, legendary theatre where the spirits of like Judy Garland and all these great performers have been. The clubs are way more underground.
I used to listen to Judy Garland all the time - I love Judy Garland and her music. But I started to realize that if you keep singing like that, singing songs of being victimized by love over and over and over again, it can't help but have a profound effect on your life.
When President Donald Trump nominated Judge Neil Gorsuch to serve on the Supreme Court, I said that he deserved a fair hearing and a vote. I said this even though Senate Republicans filibustered dozens of President Obama's judicial nominees and then stopped President Obama's Supreme Court nominee, Judge Merrick Garland.
I took some lessons as a kid but trained myself by ear. I did it the way jazz musicians used to learn years ago, which is to play records and slow them down to figure out the notes. At first I tried to imitate Red Garland, who was my favorite jazz pianist.
The first play I ever did was with Michael Langham, Brian Bedford, and Colm Feore, at Stratford Festival. That was my first professional job, and I got to work with Garland Wright and so many great artists.
