I spent my entire first pay cheque from 'Cracker,' a TV show on ABC, on an Audi because my other car broke down and I needed to get to work.
I always find that I have to be emotionally on my character's side for it to be convincing.
I get bored with the same old film coming out every weekend. It feels like it's the same story all the time, and the same visuals, and the characters' dilemmas are remarkably similar.
I'm not really a tourist attraction kind of guy.
I'm not all that demanding, I don't think. My family might think otherwise.
When the director has a vision for a piece that I've never heard before, and they can back that up with visuals, and they talk a good game, I get really interested in the world that they're trying to create.
I became popular very young. I viewed myself as just a young actor trying to figure out how to do well, and, you know, making mistakes and learning and growing.
Everybody was trying to put me in action movies and heroic roles, and I wanted to find more complex things. They just didn't suit my taste, so I thought, 'OK, I have to be brave enough to say no.' And for a while, that hurt me immeasurably in the Hollywood world.