I feel like, with a television show, you're always biting your nails hoping you're going to get that next season.
In the first year in New York, I went to this amazing teacher named Jen Waldman. She does lots of different classes, but one of her classes was where you went and worked on a song. And suddenly I felt like an artist again, and because I had worked the whole song, when I went into the audition room, I could connect to something in the 16 bars.
Musical auditions are always the worst because you have to sing and act, and that's so stressful.
I loved traditional musical comedy. That was my passion. Then 'Spring Awakening' happened, and it took that rock n' roll and pop music to change gears for me.
As a kid growing up in Lancaster, Pennsylvania, all I wanted to do was be on Broadway in a musical. 'Spring Awakening' kind of answered all of my questions and fulfilled all of my dreams - beyond my wildest dreams.
I ended up doing three very complicated off-Broadway plays that, in certain ways, were not successes in that they were received in a complicated way. But for me they were successes because they forced me to act without singing, which I'd never done before.
It's so awesome to be a part of something that is successful not because there's a famous person in it or because it's a revival of something, but because it's so fresh and original.
I am such a huge fan of both of those shows - I've seen every episode of 'Sex in the City' and every episode of 'Girls' at least once, some multiple times.
The word 'improv' always makes me feel a little anxious because I always feel like we'll have to pull props out of a bag and find 800 different ways to talk about a stick, the way you do in theater school.