My sister was an actress when I was a kid - she still is a successful stage actress in Sweden.
I look at characters to see if they have some contrasts to play with; I think that's always what I'm looking for in characters: ones that have a wide range of expression.
I feel like I've got the best job in the world. I just feel so fortunate to get paid to be a kid and play with my friends. So if it's rough or a little bit hot, you just have to deal with that.
Jose Padilha is a wonderful director.
Danish is a different language, even though Danish people understand Swedes, and very few Swedes understand Danish.
I don't think being a star has ever been part of the plan. But I always want to do really good work, even when I made career moves with projects that made more sense in sort of a career way than in an artistic way... like I did with 'The Darkest Hour.'
When I first heard 'Robocop' was going to be remade. I said, 'Yeah, that's interesting. I'll probably watch that at some point, but I'm not interested at all to be in it.'
I read a couple of books about neuroscience and the relationship between the mind and the body.
I'm a physical actor in that I start with a physical sketch of the character. I find it easier to find inspiration from the outside in. If I find the character's tensions and the way he carries himself or looks, that's going to affect how I talk. So that's how I start to create that person.
I like L.A., but it's just too many people in the same business everywhere you go. You lose perspective.
My impression was, 'This Hollywood thing doesn't seem too hard.'
A lot of the friends I had went on to become criminals.
In terms of whether my mom was influential, I think she instilled a certain way of thinking in me quite early: having a reflective mindset regarding my actions and trying to find the underlying reasons to behavior. I think that's quite helpful when you're trying to understand a character.