When you're 27 million strong, no one can tell you that you don't belong or expect you to just move along.
With the advent of cable and such, you guys are calling it the golden age of TV in terms of the writing and stuff. But it's like different branches of a big tree that TV has become.
I do want to be involved in quality projects that say something positive about the Latino community.
I don't feel I have to acknowledge how I'm doing by an award.
Every actor has to deal with what's on his plate, and I try to deal with doing the best work possible with the most challenging scripts. I don't base it on whether it's a feature film or a TV-movie or cable.
I have and will continue to vigorously pursue opportunities in all mediums.
Of course you draw from yourself, but the artistic nourishment you want to get is be versatile, do something different, and I think I got a chance to do that in a lot of different ways.
The great thing about working in cable is that, since the season is truncated - we only do 12 shows - the writers are more at ease in terms of mapping out the trajectory of the story and the characters.
Doing a truncated series is like doing a long movie, which allows for a certain artistic freedom. After just 12 episodes, you can take a breather and do other things for your career.
As an actor, it's hard to approach any character with negatives.
An actor tries to be versatile, to immerse himself in a different culture.
We tend to think of World War II and all the atrocities that happened, and people say, 'Never again.' But these things are still happening. The Amnesty International files are big.
My central strength as an actor is the fact that I'm 6 foot 3. A certain power emanates from my size, juxtaposed with the fact that I try to find an element of sensitivity in every character I play. People enjoy seeing that because it goes against what we're led to expect as far as the way men are supposed to be - macho and all that.