I have always appreciated vintage clothing, but after working on 'Call the Midwife' for six months, I love moving away from vintage in my day-to-day wear.
I have a gorgeous coat that I found at a vintage fair - it's just so elegant. Unfortunately, it has a massive hole underneath the arm, as I think I may have worn it to death!
I think my dream would be to move into film, purely because there's a definite beginning, middle and end to a project. I struggle a bit with such a big series that's going all the time.
I grew up just outside Hay-on-Wye, on the borders of Wales, on a farm. It was an amazing childhood, but I got a bit stir crazy when I hit my teens. There was the feeling of having to get out, you know, but it was definitely idyllic.
You have that moment just before you go on - I've had it in every play - where you just kind of want to run away. There's a whole audience, and they are waiting outside, and you're like, 'Why am I doing this again? Why? Why?'
My fondest memories are of watching lambs being delivered.
I'd love to do films, but I'd feel bad in my gut if I did anything just for the money. I want to wait for something I'm really passionate about, even if I don't work for a year.
I'm certainly not squeamish at all. The countryside makes you very aware of birth and death.
It was a very idyllic childhood, surrounded by utterly beautiful landscapes that I got very, very bored of when I hit my teens. But being on your own a lot and being bored is good for your imagination. It makes it stretch.