You get to become a kid again when you work with kids. They do crazy stuff.
I think we give too much importance to artists talking about the art and the film and the books and the plays and the music - it's done; the material is there. But we talk about it because it's part of the game. I'm comfortable with it.
'Sharp Objects' was scary, unknown territory for me. I wouldn't pick this kind of material to direct if you just gave me the book. Amy Adams was the force that drove me in.
Directing on a 90-day schedule, whether for a TV series or a feature film, it's crazy; it's a marathon.
Filmmaking is so heavy: there are so many people and trucks and teamsters and costume people and hair people and makeup people. I try to make it light and as simple as possible. It's great for actors. It puts the story up front. It's not about shots and dollies and lighting and sets.