Working on a movie like 'Prince of Persia' was awesome. It was great fun to be an action hero and to jump around, running off walls and fighting and having great quippy lines.
When you have a lot of opportunities, which I am blessed to have had in terms of my work, you get into the habit of not paying attention to certain specifics. And as we get busy, anything we do is the same thing.
My experience on 'Jarhead' was life changing.
Some movies you fall a step behind, and some you stay in the same place, make the same choices. And then sometimes there are people who know more than you but show you, and that's the maximum you can hope for - doing that with someone who says, 'I like you for what you are, and I want you to be in my picture.'
I grew up on movie sets, so it was something I just found familiar. When I was growing up also, in high school, I would audition for things and my parents let me audition for things - with the thought that I wouldn't get them. And then I would get them... sometimes, and it would surprise them.
I don't think you can approach any piece of art with boundaries or rules. I think respect is a very important thing, but I also think what we discover along the way is really important.
As much as I am one for real human interaction, I also want to make a show that's entertaining and that people want to see.
My mum and dad are pretty amazing chefs and they spent most of my childhood cooking really extravagant things for my sister and me.
I think as an actor you have to be open to your emotions - that's how you tap into other characters. Besides, by being so open I've come to terms with how screwed I am!
I don't think my approach to acting is all necessarily in service of the character. I think, selfishly, I've put it in service of myself, my perspective on the world and helping my life.
I heard about the movie business before I even knew what it was. So I surround myself now with people who are like, 'Can we not talk about movies for an hour?'