I often get mistaken for Dumbledore. One wizard is very much like another.
I don't make any distinction between a popular TV series or blockbuster film and doing Shakespeare. They're different, but as long as the material is good and the intention is honourable, it's all the same to me.
I headed out to have a breather at the stage door, dressed in my tramp costume. I had my bowler hat between my feet and there were passers-by, and one of them turned back and said, 'Do you need help, brother?' And $1 fell into my hat!
I don't think many people will re-read 'The Da Vinci Code.'
What I particularly like about Broadway is the camaraderie and the friendship of other people in other shows. Everybody knows you're opening and cares about you. There's a real village atmosphere.
You always think that 70 is the end of the road: 'Somebody died when they were 73; good life'. You're closer to death, and you better make sure you don't waste too much of your time doing things you don't want to do. No point in saying things you don't believe in.
Every anti-gay remark from the Church gives the thug a license to be cruel.
What's upsetting about an autobiography is that the final chapter is always missing. I mean, you want the death, don't you?
In the '50s and '60s, the life of a gay man was a secret. Homosexuality was illegal, so you didn't draw attention to yourself.
I certainly don't disparage someone whose attitude towards their work is utterly different from mine - that's up to them.
I don't any longer make any quality judgement between theater and cinema. They are different experiences for the audience, and they also are for the actors - although they have a lot in common.
Gandalf saves the world and saves the soul of the world, really.
I increasingly see organized religion as actually my enemy. They treat me as their enemy. Not all Christians, of course. Not all Jews, not all Muslims.
Doing some of the 'Lord Of The Rings' press junkets got a bit claustrophobic.
I quite like it when I'm on the Tube and people offer me their seat. Sometimes I take it. The other day I was offered a seat by a pregnant lady. I thought, 'That's going a bit far.'
When you were on stage, you could be absolutely open about your emotions and indulge them and express yourself in a way that - in real life - I wasn't doing.
I love musicals; I love the ballet, opera, the circus. It's all performance to me.
I used to think 'King Lear' was an analysis of insanity, but I don't really think it is. When Lear is supposed to be at his most insane, he is actually understanding the world for the first time.
I owe a great deal to Harold Hobson, doyen drama critic of the 'U.K. Sunday Times,' who championed me as Shakespeare's Richard II at the 1969 Edinburgh Festival.
How do I act so well? What I do is I pretend to be the person I'm portraying in the film or play.
