Once in a while, I treat myself to a cheesecake or carrot cake.
What people don't know about oppression is that the oppressor works much harder. You always grew up being told you were not smart enough or not fast enough, but we all lived from the time we were children to beat the system.
Whatever you go into, you have to go in there to be the best. There's no formulas. It's all about passion and honesty and hard work. It might look glamorous, but it takes a lot of hard work. The blessing with the arts is that you can do it forever.
If I don't make heritage visible and the strength of mother tongue important for my grandchildren, it scares me that they might say in 20 years from now, 'Well, it is rumoured that we used to be Africans long ago.' And in many urban areas, it's already happening.
I think the most difficult thing that has had to happen in South Africa for the previously disadvantaged communities is they had to reconcile that the oppressor has been enriched and the establishment is now making five or 10 times more profit than they were during the time the economic embargo was on them.
I've got to where am in life not because of something I brought to the world but through something I found - the wealth of African culture.
I want to see Nelson walking down the streets of South Africa; I want to see him walking hand-in-hand with Winnie Mandela.
I don't think what I do is influenced by suffering. I come from a talented people who are prolific in music and dance.
Watching a Kirk Douglas movie, 'Young Man With A Horn,' made me want to be a trumpet player.
In my view, Africa's real problems are cultural.
The thing that is being lost is heritage. In Africa, religion and advertisement and television and media hype have gotten Africans to where they are convinced psychologically that their own heritage is heathen, pagan, barbaric, savage, primitive.
For me to want to play the trumpet was a very, very odd thing for my clan as a whole. One of my uncles was a high school principal, and he referred to my trumpet as a bugle, which really hurt me.
Twenty years ago, I was part of a movement of millions of people who were going after freedom. But today, they look and they say, 'What are the advantages of freedom?' So far, it's the vote and maybe, in certain places, lack of police harassment. You can live anywhere you want and do anything you want - if you have the means.
I've always stood on one fact - that all over the world, there are only two things, the Establishment and the poor people. The poor people are a massive majority and across the world they are exploited in different kinds of ways. The Establishment depends on exploiting raw materials and the poor.
In some townships, political parties are run by thugs financed from Cape Town. If we don't have support of the police, we can not have the ability to organize and to gain even a slight semblance of power.
I just came from South Africa, a place that had been in a perpetual uprising since 1653, so the uprising had become a way of life in our culture and we grew up with rallies and strikes and marches and boycotts.
I think it is incumbent on all human beings to oppose injustice in every form.
I'm not a Christian. My participation in music is so full blast, 24 hours a day. And that's my religion. I think I'm as spiritual as the pope, because I spend as much time in my spirituality as he does.
I am a forward-looking person and live in the moment to build for the future.
I don't think any musician ever thinks about making a statement. I think everybody goes into music loving it.
