I worked my face off.
The way I approach this thing, when I started to get my head screwed on straight and really trying to make something of myself as an artist, when I was 19 or 20, it became more about function for me. Like, what is this song doing to you? What is the function of this type of artform? What is it doing?
Here's what I think about music and journalism: The most important thing is to just press play.
I grew up in New Orleans. I had just moved into my dorm at the University of New Orleans, and I was doing laundry, and my mom called me, like, 'We've got to evacuate. There's a hurricane's coming.'
We were poor. But my mom never accepted that. She worked hard to become a residential contractor - got her master's with honors at the University of New Orleans. I used to go to every class with her. Her father was my paternal figure.
I believe that I'm one of the best in the world at what I do, and that's all I've ever wanted to be.
I like the anonymity that directors can have about their films.
It's hard to articulate how I think about myself as a public figure.
Sometimes I'm fascinated with how famous my work could be while I'm not so famous.