I've been blessed with enough wealth that I can make a film myself up to a certain budget. So one way I thought I would reinvent myself was just to make these very small, personal films that I've financed myself.
My company and people think I'm wacky when I have an idea... I know if I have an idea, no one will want to go through it. But if I persist, people will go through it.
I wanted to be a film student again, as a man in my 60s. To go someplace alone and see what you can cook up, with non-existent budgets. I didn't want to be surrounded by comforts and colleagues, which you have when when you're a big time director. I wanted to write personal works.
I think a sequel is a waste of money and time. I think movies should illuminate new stories.
My family were symphonic musicians and in the opera. Also, it was my era, the love of radio. We used to listen to the radio at night, close our eyes and see movies far more beautiful than you can photograph.
Sound is your friend because sound is much cheaper than picture, but it has equal effect on the audience - in some ways, perhaps more effect because it does it in a very indirect way.
To make great movies, there is an element of risk. You have to say, 'Well, I am going to make this film, and it is not really a sure thing.'
The time a movie is made is unique, not only from the talent that is available but if the public was ready for it.
I live near San Francisco in the most beautiful spot on earth and enjoy myself in many ways. Yes, I love to work, which for now is to think and read and write, so it's all a dream come true.
I know that if a film is ready to emerge out of what I write, I'll be able to go off and make it without asking anyone's permission.
Some critics are stimulating in that they make you realise how you could do better, and those are valued.
