You try to pull away the experiences until you get to the core of humanity, and you find that light that exists in everybody. It's that light that I'm searching for in all of my work - is that connective thing, that ether that enters all of us - you know what I mean? That's a part of God.
I try to live my life in a holistic way, show that all of it intersects because I'm coming from the same place. Now, at the core of it, I'm just trying to connect and be there, so I'm trying to be there for my family, my wife, my kids, my friends.
I stay true because whatever the project is, I'm still looking for inside of that character. It's the thing that connects him to me and to everybody else. So, the search is the same. It's to unveil the truth, and that's how I stay true, because my purpose isn't altered.
In life, there's a ladder sometimes, and maybe at the top, there's a mirror. You take a step up, then maybe three steps down... just because you don't want to face the decloaking in the mirror.
I had been playing really interesting roles before I got great roles. Little ones - 'The Crying Game' I loved working on, and then 'Bird,' 'Ghost Dog,' so many films.
I think I've made some choices that maybe I wasn't so sure about for some reason or another. But I'm one of the lucky ones. Even when I was young, I played Bird, and that's a role people wait for their whole lifetime.
My eye? It's a genetic thing. My dad had it, and now I have it. You know, I just found out that it may be correctable a little bit, because it does impair my vision. When I look up, I lose sight in this eye. I think, maybe for other people, it informs the way they see me.
Ultimately, all human beings fulfill their patterns. We're set in a certain archetype, and we fulfill that destiny.
It's all about destiny. That's why people look at the zodiac or the I Ching - because there's a certain order to life, and that order has been lived since the beginning of time. No matter what you do, you're going to live inside of it.
Good science fiction is always based in contemporary truths.
I think the only consistent thing is that I like projects that explore different social themes. 'Our Family Wedding' is a comedy, but it deals with two different cultures coming together. It's also about people letting go.
I've had many incidents in my life of racism. I've been thrown on the ground. I've been frisked. I've been arrested so many times I couldn't tell you. I have no need to talk about it.
My wife, Keisha, came home once, and I had these violinists playing for her, and I'd prepared dinner for her, and I write poems. She's pretty amazing, so I like to celebrate that. She's really taught me how to celebrate life; that's something I've learned.
My wife is completely different from me: she's good with everyone, whereas I'm good at directed conversation when I have a purpose for it, like now. If everyone's sitting around being social, I'm not great.
On the whole, I now see my work as being an expression of my spiritual life and, because I look at it that way, I have a different centre. I go through the stress and pressure, but I think I'm lucky because I come from a different source point.