Web series are the future.
Since 'Main Hoon Na' is a cult film, if I want to make a sequel, the story has to be good!
I never imagined myself making these big movies and being married and having kids.
I think it is important to enjoy your work.
People tend to take themselves too seriously.
You get paid what you deserve, according to the money that your movie generates. I get much more than a lot of male directors and I also get less than some. But I get paid what I deserve and what I ask for.
I would never want to do a content-driven film with a box office life of Rs 20 crore.
I would say that all my films have more content than a ‘content-driven film.' It is not easy to make such films.
You can only make the film that's in you.
We have music playing at home, day and night.
Filmmaking is all about people management.
The most creative director I have worked with is Mani Ratnam.
When I became a choreographer, I was not assisting any choreographer. I was assisting the director Mansoor Ali Khan for 'Jo Jeeta Wohi Sikandar.' I was the fourth assistant director.
I always feel your movie will be as strong as your weakest link.
I always say that I'm a filmmaker, not a factory. I don't have to churn out films every six months.
After 'Main Hoon Na,' I got married; so I took some time off.
It takes two years to make a good film.
I've always been told that because of 'Main Hoon Na,' a lot of female filmmakers have come up but I maintain that direction is a ‘genderless' job.
It is an extremely difficult task to make an entertaining movie, which is completely aesthetic and you can watch again and again.
Every person on Twitter is a critic. Every person who watches a movie will write a blog or a review. You can't go out trying to impress these people.
