I've always been a big Cate Blanchett fan. Such a wonderful role model, the way she carries herself through her profession. She has so much grace to her, and so much intelligence. I've also always been a big Katharine Hepburn fan.
That world of spies and espionage, there's a coldness to it. That's what makes those worlds fascinating - and what makes le Carre's work so interesting.
I didn't really know what to expect. I had been told about the scale of Cannes, but nothing could have prepared me for just how many people would turn out for our photo calls or for the opening ceremony.
I have always been a fan of Alex Perry's work. His gowns are so beautiful, elegant, and always uniquely crafted to the woman wearing them on the red carpet. They are a true piece of art-meets-couture.
On a red carpet, you really want to feel your best, so to work with a designer who will shape a dress to your figure and take into consideration your opinions is really a blessing.
I have a sense of Europe also being like home. I mean, Australia is my home, and my heart is there, but I suppose I've always felt close to Europe, given we had family there, and we would visit.
It was quite a thespian - 'thespy' - sort of household. My mum had a dance school, and my dad now works in a theatre, so I spent a lot of time going to see dance as a young child - it was just a part of who we were.
I don't think it's healthy to buy into hype in any form, whether it's positive or negative. You have to exist in yourself and just move on with life.
I'm a gypsy at heart. I have a little triangle where I tend to go, which is between Sydney, Los Angeles, and London, and I'm happy with that at the moment.
Baz Luhrmann is a very visual director. He needs to see things as they would unfold in his world.
