I've always liked a lot of different kinds of music.
Too many people judge a singer like Beyonce by what they see on the surface. Knowing the musicians she's worked with and how she works, I have a lot of respect for her.
I always say that improvisation is the utterance of one's spirit, and it dictates your life experience, and that's how you find your concepts and your way for painting your musical picture.
I believe that music should really be without boundaries.
The biggest thing is to just keep your voice in shape so that when the emotion hits, it's there to have the colors to paint those pictures with the lyrics as well as the sound.
I come from a family of storytellers. My grandmother was great at telling stories, and my mother was an amazing storyteller.
My demographic is very broad. Once they come, they had an idea about jazz, and then they hear me, and they come back with sisters, brothers, and kids. My audience looks like America to me.
Jazz musicians have always tended to have cult followings, which is pretty wonderful.
Brazilian music has been a part of almost every record I've done, and I'd eventually like to record an entire album of Brazilian music.
I look back at Ella Fitzgerald and Sarah Vaughan, and especially Betty Carter, whom I admire the most, and I say, OK, they set a standard of excellence. I listen to them not for what they are doing, but to study where they are coming from because, for me, jazz is life experience.
The Confederate flag is a divisive presence - it's the opposite of everything my artistry means and represents.