Kajol ma'am is full of energy. Her energy is so infectious that it motivated people to work with the same enthusiasm. She is a very friendly and warm person. We had a great time working with her.
There is no such thing as a Bollywood hero or Hollywood hero. All you see on the screen is the lead actor's interpretation of the role that has been conceived by the writer.
'Power Paandi' is about the outcome of embracing love, peacefulness, and positivity around us.
Once I finished writing the script, I couldn't find my Pandi. It was actually little difficult to cast for the role. One fine day, when I was shooting for 'Vada Chennai', Raj Kiran's name just popped into my head.
In the beginning, I was riddled with major complexes about my looks. Even now, here and there, these complexes crop up. But as the days progressed, I learnt to handle them much better.
I've improved as an actor, thanks to my wonderful directors. As a person, I've changed, too; I was 16 when I did 'Thullavatho Ilamai,' and I'm 32 now. With age, I've sobered down. I'm calmer; I can see things more clearly now.
Few years ago, it was completely different. Now you go to any country, city, or continent and just say 'Bollywood,' and they will know. So, it means everybody is watching everything.
Definition of love differs for different humans. If I will talk about me then its something that makes you forget about everything else.
I have no clue as to where my interest and love for music came from. In fact, I have never learnt any music either, though I wish that I could just close my eyes and play the piano - that is my most cherished desire.
I took up acting upon the insistence of my filmmaker father, Kasthuri Raja. But I am glad for it: sometimes one identifies one's calling; sometimes it singles one out.