Stories are different every time you tell them - they allow so many possible narratives.
My rejection of the idea of entertainment in its current form is based on the audience that comes with it.
I'm not sure what theory is, unless it's the pursuit of fundamental questions.
I'm aware of my audience in a way, and I do try to engage with them while I'm trying to go about my business of thinking. I believe they help me by providing a focus.
I was very committed to the process of composing, working at poems, putting things together and taking them apart like some kind of experimental filmmaker.
I was trying to find out what it was that everybody else understood without giving up my stubborn and hard-won lack of understanding.
I tended to emphasize the secular, the casual, the colloquial, the vernacular against the sacred.
From this entertainment industry, may the gods of language protect us.
Disney made a fortune out of inventing the businessman's idea of the imaginary as the contradictory of the businessman's idea of the real.