I had bags of energy as a kid.
Lots of middle class people are running around pretending to be Cockney.
On The Others, very atmospheric and probably mysterious is how I would say it felt to be on the set. It felt just a little uneasy, the atmosphere that we were trying to capture.
I love my accent, I thought it was useful in Gone In 60 Seconds because the standard villain is upper class or Cockney. My Northern accent would be an odd clash opposite Nic Cage.
I wasn't always such a great fan of Shakespeare, mind you. I can guess we all at one time had it rammed down our necks at school, which tends to take the edge off it.
Any horror element is as much psychological as special effects.
I care more about telly because it made me an actor and there's a much more immediate response to TV. You can address the political or cultural fabric of your country.
I got a tiny part in a play, auditioned for another one and got that as well. Not only that, the first finished on the Saturday and the other started on the Monday which is like an actor's dream!
I had to help to coax the performances and I really enjoyed that extra responsibility.
I love Dead Ringers. A democratic set, the work was taken seriously.
I think the themes of belonging and parentage and love are obviously universal.
I think theatre is by far the most rewarding experience for an actor. You get 4 weeks to rehearse your character and then at 7:30 pm you start acting and nobody stops you, acting with your entire soul.
I want to direct but I think I'd be bloody awful and I don't want to produce but I think I'd be a very good producer because if I believed in something I'd be able to protect it.