All I've ever ended up with in terms of achievements is the movie, some really stupid anecdotes, a bunch of crosswords that I didn't finish and maybe some old bicycle that I found lying around on set.
And being as I'm somebody who loves movies like The Machinist, I also love going along to big mass entertainment movies. I get in the mood for all kinds of movies, and so I like to try each of them.
I don't get it when you get so much openness about the way movies are made, and the special effects and the behind-the-scenes stuff and all of that. I can't help but feel like this reduces it a little bit.
'3:10 to Yuma' was one that I just kept on talking and thinking about after reading it. And I think the reason is because, like in most Westerns, you have the very clear-cut bad-guy/good-guy, however, as the movie progresses, you kind of see that it's a very fine line that divides these two.
I'll find myself having dinner with people and someone will mention something and I will say I was in that situation once. Then I'll say, forget it, it was a scene I was in. That can get to be quite confusing.
Certainly I have no attraction to misery. I don't intentionally go for dark.
I always leave that for other people to decide, because some of the things I consider to be disasters are some people's favorite movies. And that's what I like so much, is that you never know. Something intrigues somebody and means nothing to somebody else.
I met my grandfather just before he died, and it was the first time that I had seen Dad with a relative of his. It was interesting to see my own father as a son and the body language and alteration in attitude that comes with that, and it sort of changed our relationship for the better.
But I enjoyed getting sick, I didn't mind it at all. So in that short amount of time, I did actually go from 121 right back up to 180, which is way too fast obviously. And that resulted in some doctors visits to get things sorted out.
I've always felt that I would rather see an actor, writer, or musician's work, rather than actually know the person. If you know too much about an artist, it somehow lessens their ability to do their work as well.
We are starting off with our own different characters and our own laws and everything, looking at Bruce Wayne and how he came to be the person that he was and how he comes to be this man that jumps around in the Bat suit.
When it comes to films, people often don't differentiate between the message of a bad central character and the message of the film itself. They are two separate things.
The interesting thing about a movie is the movie.
I tend to stay in character between scenes... to be rather serious on set, but here's why, and I think people will find it surprising. I'm one of the worst 'corpses' on a movie set, which means you can't keep a straight face. You start to get the giggles and you can't stop.
Look, I've got incredible pride for my family. I've absolutely fallen into that cliche of a dad who could just happily talk about my daughter endlessly.
And I not only inherited an aversion to the nine-to-five routine, but the sense from my parents that being bored and boring is the worst thing that you can be.