Charlie's Angels
Charlie's Angels

Eric Knox: You're a woman, you've got female intuition, *and* you're a detective... and you didn't know this was going to happen?

Charlie's Angels
Charlie's Angels

Pasqual: You crazy bastard!
Dylan: [as Mr. Jones] I think you mean crazy bitch.

Charlie's Angels
Charlie's Angels

Natalie: Wait you guys, I'm not a yoyo!

Charlie's Angels
Charlie's Angels

Eric Knox: You know they say that in death all life's questions are answered. Will you let me know?
[Knox shoots Dylan out the window]

Charlie's Angels
Charlie's Angels

Alex: Why do they always run?

Charlie's Angels
Charlie's Angels

[last lines]
Dylan: To Charlie.
Alex: To Charlie.
Natalie: To Charlie.
Bosley: To Charlie.
[falls over]
Bosley: Let me toast you ladies, with some ice cubes!

Charlie's Angels
Charlie's Angels

Bosley: This place, it's Japanese, is it not?
Roger Corwin: It's a 13th-century Shinto temple. I had it...
[Bosley opens his mouth and leans forward, so his molar transmitter gets a clear signal]
Roger Corwin: I had it FedExed from Kyoto. Blowfish?
Bosley: Isn't that poisonous?
Roger

Corwin: It's a rare delicacy, for the man who has no fear of an excruciating death.
Dylan: Technically, 1 in 60 is fatal.
Bosley: [trying a piece, then feigning falling over dead] Tastes like chicken. That would go very nicely with broccoli.

Charlie's Angels
Charlie's Angels

Eric Knox: You know, Dylan, I think under different circumstances, I think you and I would've made a great couple.
Dylan: Yeah, if you hadn't shot me out the window and tried to kill everyone I love, I think we could have had a chance.

Charlie's Angels
Charlie's Angels

Dylan: Corwin had nothing to do with this.
Eric Knox: No. But I never really liked him.
Dylan: And the kidnapping was a setup.
Eric Knox: 'Fraid so.
Dylan: And Red Star was a setup.
Eric Knox: Uh-huh. You got it all figured out. Any other questions?

Dylan: Why?
Eric Knox: Ask your boss.

Charlie's Angels
Charlie's Angels

Charlie: With the micro-camera we planted on Corwin's briefcase, we've been able to study Red Star's layout.
Alex: There's the mainframe, just behind that door.
Eric Knox: Well, that's where my software would be, but the security looks incredible.
Alex: Yeah. Restricted access.
Dylan:

Fingerprint ID.
Natalie: Retinal scanner.
Charlie: Angels, break it down.
Dylan: Only two directors at Red Star have access to the mainframe room. In order to get through the security system, they have to synchronize their entrance. A gelatin scanning plate takes exact fingerprints.
Natalie: A laser

accurate to .009 millimeters scans the retina.
Alex: The mainframe is accessible only through an airless antechamber. A surveillance-monitored clean room.
Natalie: There's only one way to get through undetected: be invisible.
Alex: The floor is rigged with pressure sensitivity. Any contact which exceeds .25 seconds will

trigger the alarm.
Vivian Wood: Sounds impossible.
Natalie: Sounds like fun.

Charlie's Angels
Charlie's Angels

Eric Knox: [about Charlie] That man's got a beautiful telephone voice.

Charlie's Angels
Charlie's Angels

Alex: I don't know if I can keep up this façade with Jason anymore.
Dylan: You don't want to be a man who's intimidated by a strong woman, anyway.
Alex: You know, they come on all lovey-dovey until they find out I can shatter a cinderblock with my forehead.
Natalie: I love that trick.

Charlie's Angels
Charlie's Angels

Roger Corwin: He said what? Over my dead body? I can accept those terms.

Charlie's Angels
Charlie's Angels

Natalie: Alex! Don't let him get away!

Charlie's Angels
Charlie's Angels

Chad: Good morning Starfish.
Dylan: Good morning Chad. Sweet Chad.

Charlie's Angels
Charlie's Angels

Dylan: Hold that thought.