Music is the subliminal connecting adhesive in film, or at least in narrative feature films.
I don't personally see my work as being dark. What interests me is a balance between light and dark.
I would like to do a science fiction film some day. Star Wars seems really to have destroyed the genre, which at one time offered great musical opportunities.
Carefully execute every instruction given to you by the director, producer, and studio. But that would be a life not worth living.
Los Angeles is an industry town, and it has great facilities and personnel. The disadvantage is that everyone there seems to talk about the same subject matter.
On Being John Malkovich and the cinema of the absurd, I do enjoy it. I wish there were more like it. The very fact that there can't be more like it is one of the reasons it's admirable.
Hopefully each film can be given a musical voice of its own, which is not to say that the instrumentation is always unique, but that the relationship between the sound and the image is unique.
I prefer a life in which we don't take ourselves too seriously.
I like the fact that New York looks a bit backwards, toward the Old World, rather than resolutely forwards.
Connection is what one is after in probably most media, but certainly in film, which is an immersive medium.
I'm one of those people who is actually inspired by a deadline. I might not sleep for many days on end, it may not be good for my health, but it definitely helps.
The flow of Guiness into the studio was inspirational as well as nutritive.