My whole deal when I do accents or dialects is I gotta fool the locals. If I fool the locals then I've done my job.
I was a different kind of kid, oversensitive and all that.
I couldn't say no to jobs and I couldn't say no to drugs. I'd get high from a movie, I'd be somebody else because I didn't particularly like me, so long as I had a script in my hand, I was okay. As soon as the movie was over, I didn't know what to do.
I prayed to God for help and I put myself in a recovery house called Studio 12. It was for people in the business and you didn't have to have any money to go, which was good because I was broke.
I still do television. I don't care. I just want to work. I love to work. I want to do 500 movies.
I've never considered myself a leading man, don't look like one, don't want to be one.
