It's a music video but she was real specific on the character that Mary J. Blige was playing, and that I was playing in this video and I told her whenever you get to jump to the big screen I'd love to come with you and she honored that.
My son had his eighth birthday recently and we had a chance to borrow the film and show it to all of his friends that was at his birthday party and they loved it. I was a little nervous. I said they might not even like it, and say his daddy's movie is wack, but they loved it.
I haven't done a lot of things in my career that my kids can watch, because they are 8, 6 and 3, and they are pretty young; so given the concepts that the film was about a superhero, it was a black superhero, and it was a father and son type partnership.
I haven't done a great deal of it but this was a chance to do more and bring it to that part of the business and even more so, but the fact that it was a black superhero was really the catalyst to me.
It's just different discipline, just doing the voice over. I guess I've done about 5 or 6 audio books in the past and I do the animated voice for a show called Fatherhood on Nickelodeon.
The voice over is a hat you put on right now as opposed to worrying about going through wardrobe, and having to look a certain way. You just got to let your voice do the talking for you.
It's something that was very interesting to me to be a part of and all of them again because of the relationship. Some of the superhero movies are better than others.
I won't go into detail but this animated one, the story line is very cool and the kids seem to love it.
It's about strengthening the relationship and the bond of parent to child.
Now it's a fully realized production but for the fact that we're holding our scripts in our hand and some of us used them, and some of us didn't and you have to by union rules hold the script. You don't have to use them but you gotta hold them.
Two packed houses. I guess the theater sat 2,700 people every night so it was an amazing experience.
The hope is they would like to bring it to Broadway next year, so we'll see that's to come in the end of the finance year and everybody else and also real estate and what theaters are available at the time but I would like to come back with it.
You never know how things will last, if they will last, and how people will use them in the future. It was a fun movie for young people at the time in the 80s; but it struck a cord with people and it has lasted so I'm very proud of being a part of that.
To be still standing 20 years in this business is a great feeling, I can't even tell you.
I think one of the most difficult challenges in show business is the challenge of longevity and to constantly realize and reveal what's already been there - like doing stage and singing and dancing in New York. I haven't been that far out of my comfort zone in a while.
When I doing dinner theater in high school, I was talking to a woman who had been in the business for a while and I said I want to act, that's all I want to do with my life and she said if you're serious then you need to hone every discipline you can.
So it's a source of fun and a source of pride to have been a part of this little movie that could.
I'll tell you what 20 years teaches you - is that if one thing doesn't last something else will come down the pipe and to go from that and to do these films now.
All you can do is do the best you can and I did that. I had a great time. I made a product and I was not embarrassed by it at all so you do it and you move on.
Sex in the City was a different kind of phenomenon because of the show itself is a phenomenon and to me that's successful because to resonate with women across the board for six years and have only one African-American actor pass through for one episode.
