Wrestling was the first time I thought, 'My leg is the thing that functions in this way to do this move, to get from A to B.' Instead of, like, 'My body's purpose is to suck it in so the male showrunner thinks it's attractive.'
With all the stuff that's going on in the world - after I watch the news, read the news, and listen to my podcasts, at the end of the day, am I really going to watch an episode of murder and time travel?
Getting to work with Edie Falco and watching her be a quiet presence - but a very powerful presence - and so brilliant and free? That was the first person I saw where I was like, 'I want to emulate that.'
In previous roles, I have thought of my body as 'Betty's body,' and I try not to eat too many dinner rolls - please don't fire me! I'll make crazy choices from the neck up, but from the neck down, it's just me trying to suck it in. And in 'GLOW,' my whole body was required to do a function and not just to look as good as possible in a costume.
I wasn't allowed to audition for anything professionally until I was - I guess I cheated a little bit and started when I was in college, but I graduated! Barely.
I spent a lot of time in college studying theater of the absurd and Beckett and Genet, and then I spent a lot of time after that at 'Gossip Girl' auditions, thinking, 'Wow, I really wasted my money.'
Growing up, I was a self-loathing Igor who carried the queen's books. My job was to be the sarcastic sherpa, quietly providing the farce and adoration, then becoming part of the wall when cued.
Wrestling really is kind of the highest form of theater.