Pull the hair on my head the wrong way, and I would be on my knees begging for mercy. I have very sensitive follicles.
One of the fears of having too much work is not having time to observe. And once you get recognised, there is nowhere for you to look any more. You can't sit on a night bus and watch it all happen.
There's so much in the 21st century that is stymied by bureaucracy and mediocrity and committee.
I've realised now that the reality of children is you have to be in the right place with the right person.
To get a horse to hit a mark without a rider, to get it to stand up, to get it to rear, to get it to pick up a bucket and bring it over is amazing. It's hard work and very rewarding but can be dangerous.
When you start getting jobs, and see your mates from drama school, you don't really want to talk about it, because you have this innate sense of guilt that it's not fair that others aren't doing exactly what you're doing. I do have that.
It's difficult because nothing's preordained by plan and you can't control it. That's one of those joys and thrills and nerve-racking realities of being an actor. A lot has to do with luck, no matter what your talent or contribution can be.
If people ask, 'Are you Sherlock Holmes?', it's horribly naff, but I say, 'I'm not, I just look a bit like him' - which is how I feel. There are bad attributes of his that I really don't share!