Comedy is funny when it comes from truth, and that's always the rule of them. It's about how far you can push that boundary.
I did babysit a little bit when I was young. I prefer babysitting for babies. I always loved babies. I was not as great with kids that wanted to be entertained and that wanted to talk.
When you look at all of the male characters on television and in film, it's not like every one of them are the people doing the right thing that you can point to as your own moral compass. We need to have all kinds of characters represented.
I would love to be in 'Downton Abbey.' That's the thing I thing many people would have a good laugh with me saying anything like that. I feel like that's the next phase of my career. To reprove to everyone that I can do things besides the crazy characters.
At 21, my career took a comedic turn when I was cast in a new Broadway play called 'Brooklyn Boy,' by Donald Margulies, which was equal parts funny and sad. I realized that the more seriously I expressed my character's feelings, the funnier the scene became.
There are a lot of female characters out there that, when they fall on hard times, they sort of stew in their fears and negativities and vulnerabilities. And there's something that's really truthful about that - when I've gone through hard times or breakups, I've spent a lot of time on my couch overeating and crying with friends, that's true.
Working with David Gordon Green, and Jonah Hill, and Michael Cera, and Drew Barrymore, and all of those people - those are the best people in comedy to work with. Anna Faris. You know, that's my goal, to keep learning and to just keep working with the best people I can. And yeah, we do all hang out, and we all kind of know each other.
I want the power that comes from expressing myself creatively and putting something back into the world. Being someone's muse would be flattering, but it could get old fast.
There's a certain truism that you can't be self-conscious in comedy.
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