To me, fashion is like a mirror. It's a reflection of the times. And if it doesn't reflect the times, it's not fashion. Because people aren't gonna be wearing it.
Longing and desire goes further than instant satisfaction. That's human nature.
Every time that I wanted to give up, if I saw an interesting textile, print what ever, suddenly I would see a collection.
I think I'm a global citizen. My parents came from China, were educated in France and emigrated to the United States. And I think that opened up my mind to be able to live and work anywhere.
I think whenever people talk about the 'Anna Sui woman,' they're talking about someone that's probably kind of more downtown, and there's always like this ambiguity: Is she a good girl, or a bad girl?
I don't have the luxury of making clothes just to make an effect. It can't be something totally frivolous, because my distributors have to have a successful season, too.
At the point when I wanted to become a designer, I didn't think about, 'Oh, but I'm a woman,' just like didn't think about like, well, 'I'm Chinese' or that 'I'm in Michigan.' You know, none of those things were obstacles to me. I just had this idea that this is what I had to do.
There are always different influences each season. It could be a person, it could be a piece of furniture; it depends on what I'm obsessing about.
I love research. When there's something that I like, I want to know everything about it. I want to know exactly what was behind it, and where it went from there.
I love going to flea markets especially when I am traveling, because I love seeing the stuff of other cultures, handicrafts and things with historical content.
I just love the way the '60s rock stars put themselves together, because they were like dandies and peacocks. They really lived out their fantasies - and dressed their fantasies.
When I was starting, there were wool mills in the U.S. that could make you anything. The U.S. used to produce the most beautiful cotton denim in the world. Now all that is gone.