I think in the future we might see things arrive the way Prince announces a concert where a few days before the show he announces it and tickets just go up. You might see that with movies and other things.
If you're trying to do multiple agendas, you'll confuse yourself as a storyteller. If you have one purpose, everything else will fall into place.
Well, I have no problem with 3-D but I don't think it's necessarily a blanket requirement for every film.
I've always been shocked and waiting-for-the-other-shoe-to-drop that a girl would ever talk to me, let alone want to marry me. They always seem to hold the power to me, and from my mother to my wife to my daughter, every time I try to really figure them out, and think I've got them pegged, I pay for it.
There's a mercurial nature, but more of a mysterious nature to women that I think is what makes them so attractive. And I think that that's what I love: Guys never seem to know when they've come too close and crossed the line, and then the temper comes.
And I'm not anti-sequel, but I just feel like there are very few ideas that are meant to be continued.
The way Pixar has always worked is that we think of an idea and then we make it. We don't develop lots of ideas and then pick one.
I think you could go back to any filmmaker or musician or artist, and look at what their input was in their formative years, and you could trace all the lines.
Working at Pixar you learn the really honest, hard way of making a great movie, which is to surround yourself with people who are much smarter than you, much more talented than you, and incite constructive criticism; you'll get a much better movie out of it.
Great art inspires great art.
We're all going to keep telling love stories, we're all going to tell hero stories. It's all a question of what your own thumbprint, your own DNA, is, and what it brings to the table that makes it unique.
