My friend James Cameron and I made three films together - True Lies, The Terminator and Terminator 2. Of course, that was during his early, low-budget, art-house period.
One of my movies was called 'True Lies.' It's what the Democrats should have called their convention.
'True Lies' reinvented me in the eyes of a new generation and got me offers.
When I worked with Jamie Lee Curtis in 'True Lies', she told me, You need a plan B, because when you have six months to a year off, you can go nuts. You need to have another focus.
You just don't see Muslims being matter-of-fact Muslim. They're always defined by their Muslim-ness. We're either terrorists, or we're fighting terrorists. I remember seeing 'True Lies' and going, 'Why are we always the bad guys?'
No ideology better understands the need for enemies than neoconservatism, and when the cold war dramatically and unexpectedly ended, the way was prepared for the 'Arab threat' to emerge. 'True Lies,' the 1994 James Cameron comedy thriller starring Arnold Schwarzenegger, duly served up the Arab villain Salim Abu Aziz.
First, you have stereotypes, and that will be the black drug dealer, the east Asian kung fu master, the Middle Eastern terrorist in 'True Lies.' Then you have stuff that takes place on culturally specific terrain, that engages with it, but actually subverts assumptions. 'Smashes' stereotypes. That's where I've come into the game.
The kids all knew me from Wayne's World. The grown-ups knew me after True Lies.
