The story entitled 'Good-Bye' is probably Tatsumi's most well-known work, and I think it's a good representation of many of Tatsumi's skills and stylistic tendencies.
I don't use a stylist. I know what I like, so I do it myself. I rip things out from fashion magazines. It's easy to order when the phone number is right on the page.
Elle Fanning is my official stylist. If I'm buying a pair of sneakers or a suit, I just do what she tells me to do. She's my red carpet expert.
Finding a stylist is a little like finding a date; you have to find who is right for you.
Did you notice what happened when digital photography arrived? Suddenly there were four times as many people on set for a shoot! It used to be a photographer, a couple of photo assistants, stylist and a fashion assistant, hair and make-up and that was about it.
I put a lot of trust in my stylist, Micaela Erlanger.
We're at this place where we're pushing the next stylistic envelope.
I think with me and the type of music that I'm trying to make, it's always going be soulful because I grew up listening to different types and variations of soulful melodies and jazz, but experimenting with different types of stylistic souls.
Originally a stylist took terrible dresses and did everything she could to make them wonderful. Now, you create an image. It's much more specialized.
I wear a lot of second hand clothes unless I have a concert and then I wear beaded and sequined second hand clothes. No stylist dresses me although I do have a woman that assists me with the buttons.
