I am a serious reader, and I read slowly.
As I make my slow pilgrimage through the world, a certain sense of beautiful mystery seems to gather and grow.
There's a very passionate pro-chewing movement on the Internet called Chewdiasm. They say that we should be chewing 50 to 100 times per mouthful, which is insane. I tried that. It takes like a day and a half to eat a sandwich. But their basic idea is right. If you chew, you'll eat slower and you will get more nutrients.
I suggest that ten thousand Negroes march on Washington, D.C., the capital of the Nation, with the slogan, 'We loyal Negro American citizens demand the right to work and fight for our country.'
I think I can get away, sometimes, with walking in the streets and not getting noticed. I like that. I want my work to get noticed, not me. And it's slowly getting there, which is good.
I always say I write my own novels and the characters don't take control of me, but in fact, I look at the characters in the early stages and I think, 'What is he or she like,' and they slowly come together and they become the person they are.
I know the difference between journalism and a slogan.
The trouble with progress is that it tends to happen slowly and quietly. It's not necessarily going to shout about itself, or make the nightly news like a disaster or a scandal would.
I interned at Miramax and subsequently at Paramount because I was really curious about the future of entertainment - how were we going to get films online? While the inspiration for Box didn't come from that experience directly, it was very obvious that bigger businesses had a lot of slow processes and cumbersome technology.
They wanted to audition people for the Middle East correspondent on 'The Daily Show.' They wanted to hire somebody ethnic for that slot. Helms had left, Cordry had left, and they felt that they needed an ethnic face. So, I went in and auditioned, and I got the job.
