This mum comes up, she's got a five-year-old kid and she says, 'Can he have your autograph, you are his favourite person in the whole world.' I thought, 'How cool is that? I've got five-year-old fans,' and as I'm signing this autograph, the mum goes, 'Yeah, yeah, you're by far the best Wiggle.'
When I started my own business, my main reason for designing clothes was that I wanted to dress rock stars and the people who went to rock concerts. It didn't go beyond that aspiration at that point.
I think that fashion has become such a big business and with globalization we are on new territory at this point. We are not just designing for a country we are designing for a world now.
I had to continuously do films to shrug off the mini-screen image and it was a struggle. Initially, I was taken off from many films due to this and I dealt with it by signing every other film I got, even compromising on the quality.
I'd always been acutely sensitive to my surroundings - and aware that I could make them rather than just observe them. So I began by designing interiors for myself, for friends, for clients - I just felt that I'd discovered my element, and those who really looked at what I was doing liked it - and the rest followed.
I'm not resigning, and I'm going to try very hard to go back to work a better man and a better husband too.
When I was growing up Harlequins were interested in signing me because I was very fast and strong at an early age, but I wasn't interested in rugby at the time.
In the beginning, I got different kind of roles, and then I realised it's great to be that way. And that thought is always there before signing a film.
I hate the idea of labels and saying you are member of one party or another and signing up to all sorts of policies that you don't have a view on or don't believe in. Because I'm not a politician, I don't have to be consistent in what I say and how I behave.
I want to do television, film, music and designing. I want to do it all!
