I want people to see a real person on the ice. I want to seem tangible, hard-working, passionate about my skating, not just going out and doing something I've rehearsed a million times.
You have to learn how to dress yourself and how to walk into a room and talk to people. Once you're in rehearsal, you have to know how to rehearse and how to communicate with your creatives, even if you don't communicate the same way.
We've turned film into such an industry that we pursue naturalism just by shaking the camera and cutting the film to ribbons to provoke a bogus sense of documentary. But we haven't done the homework. To push the depth that the Actor's Studio did or the Russian theatres did with their actors is to rehearse, to spend time, to dig, to excavate.
I don't like to rehearse, and the film-makers that I have been drawn to are interested in provoking something between people rather than nailing a scene in advance.
Well, for me, the real excitement of doing physical things in films, whether you're talking about a fight scene or a stunt sequence or even a love scene, for that matter, is by necessity it has to be choreographed very much like a dance. That being said, you have to rehearse it over and over again and find a mathematical precision.
I like to rehearse. We did a lot of rehearsals for 'Moneyball,' but it is really individual to the actor. It's not like, 'Here is my process, everybody. Fit in.'
Like Russell, I enjoy the fact that when I'm playing solo, if I want to do something completely spontaneous, I don't have to worry about how I'm going to cue the other musicians, or if it's something that's rehearsed.
You can survive tough situations and even turn them to your advantage by acting as if you are the person you want to be. When you act like that person, you can become that person. The hard parts are deciding whom you want to become, being willing to rehearse until you become that person, and forgiving yourself until you do.