What I appreciate about Radiohead's work - and it's most evident in 'Hail to the Thief' - is how the juxtaposition of narratives on the band's albums somehow creates a sense of wholeness.
I have a very varied taste in music from Boards of Canada to Radiohead. So I just love making music and being in the studio.
We are different people - you get a different take on the band whoever you speak to. Somehow, at the end of it, it goes through the filtering process and out comes the Radiohead thing.
As a writer, I try to do different things, but I'm not going to become a darker artist or turn into Radiohead overnight. I don't think that's my style.
I love Radiohead, which most people don't expect, and I listen to everything from Stevie Wonder to Steely Dan, Carole King, The Beach Boys, The Kinks, Beyonce Knowles, Vampire Weekend, The Beatles, Joni Mitchell, Burt Bacharach, and Paul Simon.
I hold music so close to my heart - to the point where I was always like, 'Well, if it's not Radiohead, I don't want to do it!'
Throughout the entire time I was filming 'Thirteen,' I'd just lock myself in my room and listen to Garbage's first album. It was Shirley Manson, Nirvana and Radiohead who got me through everything. Also, Alanis Morissette and Tori Amos. They were so beautiful and strange, and they gave women permission to be angry and emotional, but also strong.
We wanted to be like Radiohead. When they started experimenting with electronic music, it gave us the idea that it might be a cool idea to do.
I was a huge Radiohead fan growing up.
My favorite bands are Radiohead and Led Zeppelin, and all-time favorite album is 'Amnesiac' by Radiohead.
