With 'Badhaai Ho,' the lines are so quirky and the situation is so humorous, awkward, and bizarre that people are taking away a lot from the film. The dialogues are amazing. We aren't trying to make people laugh, but the situation is like that, that people are laughing.
In N.Y.C., I auditioned for mostly 'quirky friend' roles. Since casting directors in L.A. lacked a preconceived notion of me, I was able to reinvent my type a bit, which was essential in booking the role of Amanda on 'Ugly Betty.' I don't believe I would have auditioned for that role in N.Y.
Playing weird and quirky characters, like those with weird nuances, I find very interesting.
My voice is rather quirky. It's abysmally low. People often think I'm putting it on at first. Think drunk Darth Vader. Or Barry White singing country. It suits my dark material. When I do readings, I really play it up and go subterranean. I can make the phone book sound terrifying.
Any good broadcast, not just an Olympic broadcast, should have texture to it. It should have information, should have some history, should have something that's offbeat, quirky, humorous, and where called for it, should have journalism, and judiciously it should also have commentary. That's my ideal.
Science fiction is not quirky anymore; we live in a futuristic world now.
When I think about 'Since U Been Gone,' I think the first thing that comes to mind is 'Livin' On A Prayer' - they're kind of like sisters, a little bit. And 'Call Me Maybe' was so wildly original, and so quirky, and so satisfying.
Prior to being bullied, I was a very footloose sixth-grader. You know, I was quirky, I was creative - I really felt good in my own body. And when I was bullied in seventh grade, my self-esteem tanked.