I have family connections with Salisbury through my godmother. Her sister lived there, so I have very fond memories of visiting the city as a child.
A dish should have flavor, texture, appearance and smell, but I'm doing it differently. We take Chinese food, play with your sentiments, memories of it, and then take you to the border; you won't fall over the edge, but you get excitement.
Some writers such as John Cheever and Raymond Carver seem to draw artistic energy from analyzing the realm of their own experiences - their social circles and memories and mores. I'm one of those who draw creative energy from the opposite.
For me, one of my earliest memories of politics where I thought that I could do anything was when Walter Mondale of Minnesota picked Geraldine Ferraro as his running mate. I literally remember what she wore - the red dress, the white pearls. And I saw that, and I thought, 'Anything is possible.'
My childhood memories are amazing; I had freedom in every way - but I see everything from a different perspective now that I live outside.
We're all making decisions to make ourselves happy and our families happy. That doesn't take away what we've done together and the special bond that we created and the special bond that we have and just all the memories that we had together. That will never change. As you move forward, you appreciate those moments and keep going forward.
You jot down ideas, memories, whatever, concerning your real life that somehow parallels the character you're playing, and you incorporate that in your scene work.