My whole being and approach to work is shaped by Karan Johar. From him, I have learned that people should love to work with you, and you should give out warmth and energy to them.
I feel like coming from a film background does give me an advantage over others because access is the hardest part to overcome. The fact that I can meet a Karan Johar is something that is available to me because of my parents.
My favourite designers are Alexander McQueen, YSL, Eskandar, Donna Karan and Lanvin.
That is the beauty of working with Karan Johar: you are going to look your best.
If my work is liked, not just Karan Johar or Remo D'Souza, anyone would give me roles.
Donna Karan is a professional, of course, and you have to respect her opinion.
I wouldn't be who I am without my husband, who handled the business end of Donna Karan so I could be creative.
I am a huge fan of Yash Chopra, Karan Johar, Farah Khan, Sooraj Barjatiya or Sanjay Leela Bhansali or Aditya Chopra. They are great legends.
Before I was cast for 'Brothers,' we all knew that Karan Johar was looking for an actress for to play a mother's role. I never thought that he would think of casting me.
My instinct about a human being is paramount. For me, when a director has walked into my room or an assistant that I have hired, who has later gone on to become a director, is purely based on human instinct, be it Ayan Mukerji, Karan Malhotra, Punit Malhotra or Tarun Mansukhani. I am very susceptible to human energy and energy of spaces.
