Since 'Huckleberry Finn,' or thereabouts, it seemed that all American literature was about the alienated hero.
Like every child growing up in America, I read 'The Adventures of Tom Sawyer' and 'Huckleberry Finn.' I liked them well enough, but I didn't love them.
It is a huckleberry above my persimmon to cipher out how it is, with six months' schooling only, I, David Crockett, find myself the most popular bookmaker of the day, and such is the demand for my works that I cannot write them half fast enough, no how I can fix it.
I lived somewhat of a nomadic life, even when I lived in Ohio. We spent time in rural areas, in suburban areas, never really city areas. We rode four-wheelers. We had pigs and ferrets. And creeks. We had a creek in my backyard. It was like 'Huckleberry Finn.'
In many ways, being honest about 'Huckleberry Finn' goes right to the heart of whether we can be honest about our heritage and our identity as Americans.
Why are we reading a Shakespeare play or 'Huckleberry Finn?' Well, because these works are great, but they also tell us something about the times in which they were created. Unfortunately, previous eras and dead authors often used language or accepted as normal sentiments that we now find unacceptable.
I liked Huckleberry Finn and Tom Sawyer, and that is the kind of character that I would like to have played. That would have been more in tune with who I really was.
It's so wrong when I pick up a new edition of Huckleberry Finn and I look at the last page and it doesn't say, Yours truly, at the end.
In the end, censoring a comedian's jokes is on par with censoring 'Huckleberry Finn.' Now, I'm not comparing myself to Mark Twain - he had much wavier hair and a slightly thicker mustache. But when you deny an artist the chance to explore his art, you're forcing your beliefs on him.
I lived an idyllic 'Huckleberry Finn' life in a tiny town. Climbing trees. Tagging after brothers. Happy. Barefoot on my pony. It was 'To Kill a Mockingbird'-esque.
