I worked on 'Happy-Go-Lucky' for seven-and-a-half months, and I'm in it for two minutes - largely because Sally Hawkins turned left instead of right.
I remember recording with Johnny Sandlin at his place right outside Muscle Shoals and he turned me on to a lot of those musicians at an early age, like Roger Hawkins and David Hood and just a ton of great players.
In a general way, I think traveling with Kofi Kingston and Curt Hawkins would have to be some of the best times I had. Those two are my two best friends that I'll ever have in wrestling.
I had just discovered jazz, and I started singing in a kind of blues cover band at the age of 15. We called ourselves - it was a terrible name - the Blue Zoots. We couldn't actually get our hands on zoot suits, nor did we dress in blue. We did covers of Screamin' Jay Hawkins and kind of Blues Brothers repertoire stuff.
Trip Hawkins - and this was the early 1980s - was saying there's going to be a day when everyone has a computer and they're going to want to do more on it, including playing games. So he started up a company, EA Sports, and he was going to have three games, football, basketball and baseball. So I was the football game.
When I got out of coaching, I had taught a class at the University of California, an extension class on football for fans. I was looking for tools. I was showing them films. I was going to write a textbook. Trip Hawkins came to me about making it a game for computers.
I saw Ronnie Hawkins play near my hometown, Port Dover, Ontario, and I saw him play there on New Year's Eve and the following spring I booked myself to be his opening act on maybe five shows, and he hired me after the first night.
I was 10, and I played Jim Hawkins in 'Treasure Island' at school, and this great Liverpudlian actor called Andrew Schofield - he was Johnny Rotten in 'Sid And Nancy' - came to watch it, and he had a word with my mum and dad afterwards and told them I should have a go at the Everyman youth theatre. I've never looked back.