Yes, I've heard of the 'Mad Men' comparisons, but I like to think 'The Hour' has its own distinctive voice. Although it is set in 1956, I have tried to give it a contemporary edge, and its themes of love, passion, romance, fury, professional jealousy, and personal failure are universal, I think.
I think that's created a healthy environment. The comparisons to 'ER' were maddening and there was this assumption that the two of us were looking at each other with rage and resentment, which was also not the case.
I would love it if we made more comparisons between current issues and issues of the past. Maybe we'd realize that sometimes 'current issues' and 'past issues' are one and the same. Our world's people still fight over natural resources, kill in the name of religion, occupy regions and give them up - just as we did 'so long ago.'
There's absolutely no comparisons to me or anyone else to Willie Mays. Willie Mays, he's the greatest baseball player of all time.
I don't like to make comparisons between former managers because they all bring a unique style.
YouTube clips get millions, billions of hits. Reality TV programs have their own channels. How can movies attempt to compete with these kinds of numbers? And do we even need to? Are we scaring ourselves by unnecessary comparisons, by not comparing apples with apples?
On 'Kaputt,' singer-songwriter Dan Bejar reevaluates his band's sound and drifts away from the David Bowie comparisons that have plagued even his best albums.
When you get into comparisons in any way of, 'we want it to be like this' or 'we don't want it to be like this,' it takes away from the authenticity of what you're trying to say and what you're trying to make.
I'm Austin Seferian-Jenkins. He's Tony Gonzalez. He's the best tight end to ever play the game. So that's a real strong comparison. I'm just going to do my job and leave the comparisons up to the coaches and the media.
I know there'll be comparisons, but I consider it an honor to be compared to Audrey Hepburn. She's a legend.
