So Colleen Atwood introduced me to Armani for the fabric and the dyes - what made Armani, Armani, beyond his motion-picture credentials. It was Cerruti after that. And then Zegna.
I remember seeing 'A Moon for the Misbegotten' with Colleen Dewhurst, and that made a really big impression on me, and I remember wanting to be like her and I still want to be like Colleen Dewhurst! My mom took me to a lot of theatre growing up, and I also remember seeing Pippin and being like, 'Wow!
The Thorn Birds' by Colleen McCullough. I took it on a holiday to Greece and just fell in love with it.
If Colleen Howe had been a hockey player, she would have been a centremen. I can see her as a centreman because you can do what you want and go wherever you want to go.
When I came on to 'Iron Fist,' it was really Colleen Wing that sold it for me. I thought it was a good opportunity to see a really strong female Asian American.
I had been in talks with Marvel prior to 'Iron Fist,' and I had researched all the prominent female roles that I was interested in. Colleen Wing came up really early in the process, and I had a strange feeling.
I never met Colleen McCullough; if I had, I probably would have cried and made a fool of myself.
