I think one of the great things about 'Bridesmaids' is that it's a big studio comedy, but all of the relationships in it are so grounded that you're watching a real movie.
With female-oriented movies, unless it's something like 'Bridesmaids' or a romantic comedy, you've got to really worry about your opening weekend. And I'm always telling stories about women, not younger women, and it's just a much tougher audience to get to the movie theater.
I think women have always been funny. But when Tina Fey became head writer at 'Saturday Night Live,' the culture shifted, and women gained a bigger voice in comedy. It's not as if Hollywood producers are feminists. It's more that Hollywood said, ''Bridesmaids' made us so much money, all we want now is funny women.'
After 'Bridesmaids,' women know who I am.
The American audience has really opened up to women being A.) funny and B.) kinda crude. 'Bridesmaids' is R-rated, and I think it was a major coup for women to have an R-rated comedy that did really well. Same as 'Bad Teacher.'
I think of Kate Moss whenever I think of someone who did the bridesmaid thing right. They were all in different dresses, and I love neutrals. But it's so hard to pull that together. You almost need a stylist for it.
My daughter recommended Chris O'Dowd to me after seeing him in 'Bridesmaids,' so I watched that and his sitcom, 'The IT Crowd.' When I was over in London, we met up, and I knew immediately he was the right person.
When Melissa McCarthy came out with 'Bridesmaids,' all of a sudden you saw a plus-sized woman who had three dimensions, was not an appendage, was pivotal to the plot.
I was a bridesmaid at a wedding in one picture.
Predicting what content is going to fly is like looking into a crystal ball. I try not to say, 'Yeah, 'Bridesmaids' opened the door to make more movies about women.' I mean, did it? I don't know; where are they?
