I think carrying moral baggage is very dangerous for an artist. If you have a duty, it's to be true and not cover up the cracks.
Winston was a bit of a challenge, all right, from a lot of different perspectives. It wasn't just the culture or the class divide or the historical baggage - it was also the age difference. We had to see if I could be aged-up legitimately, without it becoming some sort of hokey acting challenge.
Everybody sooner or later has to drop the luggage and the baggage of illusions.
That's pretty much how I feel on stage, like I can let go of all kinds of baggage, or even disappear and change outfits. I want to remind people that they can grant themselves the license to do the same.
Getting older is baggage for so many people but I don't spend time on things I can't control. Wrinkles don't scare me; they're a part of life, and I will and do embrace them, but I look at surgery, and that scares me.
I like people who are still actively creating in their life, who aren't set, I don't feel like I'm set. And I don't have any baggage, for better or worse. I don't have any plants or pets or kids. I can lock the door and go. I need to be with somebody for whom that's okay.